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As you might expect, the momentous events of May 1968 are commemorated at Arles this year, with a group of exhibitions titled Run Comrade, The Old World is Behind You. Considering events such as the student demonstrations and strikes in France, and the assassination of Robert F Kennedy that year, this section includes shows such as 1968, What a Story! May 6, 1968 demonstration. Courtesy of the Paris Prefecture of Police. From the exhibition 1968, What a Story! This section also includes images from which were published as an acclaimed photobook last year, and. The section titled Platforms of the Visible — New Approaches to Documentary Photography includes work by Michael Christopher Brown, Gregor Sailer and Christophe Loiseau, while documentary photography also figures in a section called The World As It Is, which includes an exhibition of contemporary photography from Turkey titled A Pillar of Smoke that features. Work from Grozy by Olga Kravets, Maria Morina, and Oksana Yushko also features in The World As It Is. Cleaning ladies wash away blood from the stairs of the parliament building in Grozny after four suicide bombers detonated their explosives, killing three other people on October 19, 2010. From the exhibition Grozny, Nine Cities in the World As It Is section in the official programme. Big names in photography feature in the section America Great Again! René Burri and William Wegman, meanwhile, have solo shows in the Stylistic Figures section. Wolfgang Tillmans, meanwhile, is included in the off-site Grand Arles Express, which sees the festival take up residence in nearby cities such as Nîmes, Avignon, and Marseilles. Paul Graham, New Orleans, from the a shimmer of possibility series, 2003-2006. From the exhibition Paul Graham — The Whiteness of the Whale, in the America Great Again! The winners of both awards will be announced during the opening week, which includes a programme of events held at night, Les Nuits De La Photographie, encompassing screenings, talks, and parties. The opening week also includes a series of free talks and debates featuring photographers from the 2018 festival plus professionals from the photography industry, and free exhibition tours by the photographers and curators involved. For more information visit Matthieu Gafsou. Neil Harbisson considers himself a cyborg. Suffering from achromatopsy, a rare form of color blindness, he had a prosthesis called Eyeborg implanted into his skull that senses colors and converts them into sound waves. Harbisson pleads for the enhancement of human creativity and sometimes distances himself from transhumanism, deeming it too stuck in stereotyped or commercial representations. His vision is more that of an artist than a disciple of technoscience. He takes pride in being the first human to appear with his prosthesis on his passport photo. Munich, July 15, 2015. Courtesy of the artist, Galerie C and MAPS. From the exhibition Matthieu Gafsou — H+ in the Augmented Humanity section in the official programme Monica Alcazar-Duarte. In addition, this cladding also absorbs sound — making Hertz an eerily quiet place to work. Courtesy of the artist. Courtesy of the Fonds Pôle Intercommunal du Patrimoine Culturel, Conseil de Territoire Istres Ouest Provence and the Aix-Marseille-Provence Metropolitan Area. In the exhibition Paradise! In this tableau, the artist shows that migrations are cycles that repeat themselves. In the late 1930s, many people emigrated from Spain to southwest France. Numerous Saint Martorians have Spanish roots. Today, like then, migrants cross the Mediterranean and want to climb up onto the bridge to find refuge in France, the land of asylum, under the protection of Marianne, who has become European. Today, like then, some people reach out to help the newcomers while others staunchly oppose their presence in the village. Collection Frac Grand Large — Hauts-de-France, photo by Marc Domage. Courtesy of Air de Paris. From the exhibition From Calais presented at Marseille, Frac in the Grand Arles Express.
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