Wicked: The Soundtrack by Wicked Movie Cast, Cynthia Erivo & Ariana Grande rar mp3 320 kbps MEGA Mediafire zip Full Album Torrent m4a

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TRACKLIST:

1. No One Mourns the Wicked (feat. Andy Nyman, Courtney-Mae Briggs, Jeff Goldblum, Sharon D. Clarke & Jenna Boyd)
2. Dear Old Shiz (feat. Ariana Grande)
3. The Wizard And I (feat. Michelle Yeoh)
4. What Is This Feeling?
5. Something Bad (feat. Cynthia Erivo)
6. Dancing Through Life (feat. Ariana Grande, Ethan Slater, Marissa Bode & Cynthia Erivo)
7. Popular
8. I’m Not That Girl
9. One Short Day (feat. Michael McCorry Rose)
10. A Sentimental Man
11. Defying Gravity (feat. Ariana Grande)
12. Ozdust Duet (Bonus Track)
13. Commentary

Fantasy and sheer magic are at the heart of John Powell and Stephen Schwartz’s utterly gorgeous score for Wicked, with impeccable orchestrations soaring and musical references abound & seamlessly intertwined throughout its eighty minute runtime, which will blow past in an instant as you hit play and envelop yourself in this utterly enchanting musical world.

So I’m going to be taking a bit of a different approach to this review than what I would normally, for the very simple reason that Wicked is an absolute musical phenomenon with a significant following, but to my slight shame I know pretty much next to nothing about it. As such, this is going to be a very layman’s, newbie’s approach to the Wicked movie and the score that Stephen Schwartz and John Powell have composed for it, where the draw at least for me anyway has been the dazzlingly fantastic orchestral approach to the music and the utter magic it brings, rather than the dozens of thematic references to the original musical that I know for a fact are in here, that a multitude of fans I imagine are listening for. Don’t get me wrong, I will be making references to some of the themes as I hear them and the absolute highlights that I enjoy from my side, but if you’re coming into this review as a diehard Wicked fan expecting the most minute thematic breakdown of all the different musical references that are in here on a track-by-track basis – you might want to look somewhere else for that, I’m afraid. Not that you’re not welcome here though, because you absolutely are – and this is going to be a fun – if not slightly haphazard – exploration, that’s for sure. I felt it was worth doing even not as someone who knows Wicked well, primarily for those who perhaps are unsure how to approach this complex theme-filled score for the highly regarded musical, but want to appreciate it anyway. So for all reading, if you do decide to stay then bear with me, as we journey on a fantastical musical journey into the land of Oz with Schwartz and Powell as our guides, and uncover the utter musical magic that is Wicked for the very first time – at least for me, anyway.

The magic begins in “Arrival At Shiz University” with gentle strings, echoingly tranquil vocals and twinkling percussion starting things off before the full John Powell-ian orchestra starts to build and a lusciously upbeat crescendo thunders happily through at the forty second mark, hinting briefly I think towards the classic “Over The Rainbow” song from the original 1939 The Wizard Of Oz as it does so. With the wondrous burst of orchestra simmering back down, gentle strings then bring the opening cue to a quiet finish. A sudden burst of dramatic brass then opens “Our Heroes Meet”, with quieter, more serene strings simmering the tone down after for a playful few notes from Schwartz’s “No One Mourns The Wicked” song from the original broadway show. Like I said, I don’t know all the song references on this album and am sure to miss a few, but this particular one is quite prominent – it plays almost mischievously both here and in the subsequent and similarly upbeat “Nessarose”, both on strings. Twinkling percussion then starts to build magic again in the subsequent “Meet The Faculty” before another new motif makes itself known on sweeping orchestra – a warm, dazzling theme that plays loudly and wondrously here before the track then quietens to a gentle close. Loud brassy tensions then crash into centre stage in the first minute of “Elphaba’s Power” before the warmer “Faculty” motif from the prior cue reprises gently again, I think at this point perhaps a theme for Michelle Yeoh’s character Madame Morrible, Dean of Sorcery of the aforementioned “Faculty” at Shiz University. Happily upbeat strings and plinking percussion are then the focus of “How To Loathe Your Roommate” alongside some rather uplifting woodwinds