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Music by the Numbers: From Pythagoras to Schoenberg

Eli Maor

Page: 176

Format: pdf, ePub, mobi, fb2

ISBN: 9780691176901

Publisher: Princeton University Press

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Music by the Numbers: From Pythagoras to Schoenberg by Eli Maor How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said &quot;musical form is close to mathematics,&quot; while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor argues that music has influenced math at least as much as math has influenced music. Starting with Pythagoras, proceeding through the work of Schoenberg, and ending with contemporary string theory, Music by the Numbers tells a fascinating story of composers, scientists, inventors, and eccentrics who played a role in the age-old relationship between music, mathematics, and the sciences, especially physics and astronomy. Music by the Numbers explores key moments in this history, particularly how problems originating in music have inspired mathematicians for centuries. Perhaps the most famous of these problems is the vibrating string, which pitted some of the greatest mathematicians of the eighteenth century against each other in a debate that lasted more than fifty years and that eventually led to the development of post-calculus mathematics. Other highlights in the book include a comparison between meter in music and metric in geometry, complete with examples of rhythmic patterns from Bach to Stravinsky, and an exploration of a suggestive twentieth-century development: the nearly simultaneous emergence of Einstein&#039;s theory of relativity and Schoenberg&#039;s twelve-tone system. Weaving these compelling historical episodes with Maor&#039;s personal reflections as a mathematician and lover of classical music, Music by the Numbers will delight anyone who loves mathematics and music.

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Music by the Numbers: From Pythagoras to - Amazon.com.au

How music has influenced mathematics, physics, and astronomy from ancient Greece to the twentieth century. Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis,

Arnold Schoenberg http - MUSIC SOUND TONE THERAPY

What is not known is that his variations and use of the "Tone Map" are strikingly similar to some of the techniques employed by Number Harmonics, which are derived from Ancient Pythagorean Techniques. Perhaps it only goes to show that there is nothing new under the Sun. Links to some of the Schoenberg Techniques

Consonance and dissonance - Wikipedia

In music, consonance and dissonance are categorizations of simultaneous or successive sounds. Consonance is associated with sweetness, pleasantness, and acceptability; dissonance is associated with harshness, unpleasantness, or unacceptability. The terms form a structural dichotomy in which they define each other

Music by the Numbers: From Pythagoras to Schoenberg - Gleebooks

Title: Music by the Numbers: From Pythagoras to Schoenberg Author: MAOR ELI Format: HARDCOVER Publication date: 15/03/2018. Imprint: PRINCETON UNI PRESS Price: $49.99. Publishing status: NOT YET PUBLISHED Music is filled with mathematical elements, the works of Bach are often said to possess a math- like

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As Aristotle explained in Metaphysics, the Pythagoreans “supposed the elements of numbers to be the elements of all things, and the whole heaven to be amusical scale and a . In the 1920s, Arnold Schoenberg unleashed the centrifugal forces of disintegration in music through his denial of tonality.

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Reilly – Is Music Sacred? | The Philadelphia Society

He wrote a massive work called Institutiones, which echoes Plato's teaching on the ethical content of music, as well as Pythagoras's on the power of number. Cassiodorus taught that In the 1920s, Arnold Schoenberg unleashed the centrifugal forces of disintegration in music through his denial of tonality.Schoenberg

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Music by the Numbers - From Pythagoras to Schoenberg - Eli Maor

Music is filled with mathematical elements, the works of Bach are often said to possess a math-like logic, and Igor Stravinsky said "musical form is close to mathematics," while Arnold Schoenberg, Iannis Xenakis, and Karlheinz Stockhausen went further, writing music explicitly based on mathematical principles. Yet Eli Maor

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According to tradition, the harmonic structure of music was discovered byPythagoras about the fifth century B.C. Pythagoras experimented with a stretched piece of cord. When plucked, the cord . Like Pythagoras, Schoenberg believed that number was the key to the universe. Unlike Pythagoras, he