IK Multimedia ARC System 2 v2.1 WiN MacOSX Incl. Keygen-R2R [deep...
As long as the measurements are done with a real time audio analyzer and flat rta microphone, the same result can be achieved. Например: Создаём на диске D папку ARC 2. A visual bump in the upper mids that i could not perceive. Turn it off and look at the meters?
This Presentation Series stunner marries exotic striped ebony back and sides, supplied by Taylor's ebony mill in Cameroon, with a richly variegated sinker redwood top. Но понятное дело что это очень субъективно, поэтому о правильности замеров и корректировки можно говорить лишь когда это делается комплектным микрофоном, либо на худой конец - каким-нибудь другим, но ИЗМЕРИТЕЛЬНЫМ микрофоном, имеющим гораздо более линейную АЧХ чем инструментальный микрофон.
IK Multimedia ARC System 2 v2.1 WiN MacOSX Incl. Keygen-R2R [deep... - So I looked for a software version of this and came across both SOUNDFLOWER and AULAB. With ARC 2 engaged the guitars became clear and plenty present.
IK Multimedia ARC System 2 v2. The right way to sort out monitoring problems starts with fixing any room acoustic problems that are fixable. This can result in a huge improvement, but it is rarely a complete solution, and in particular, does little to address any serious low-frequency concerns. Many rooms are simply too small to fit effective bass trapping, and even in larger studios, some form of monitor equalisation may be required to achieve a subjectively flat response. Simple monitor equalisation is a compromise solution: resonances are time-domain effects, whereas equalisation is a frequency-domain solution, so although you can pull down the level of the monitoring at frequencies that coincide with resonant peaks in the room response, those resonances will still exist and can still cause overhang on notes hitting those resonant frequencies. Out Of The ARC The process of measuring your room and speakers is made very simple by helpful prompts from the ARC software. Although the literature seems to suggest that you can then forget all about acoustic treatment, I would still be inclined to treat the room as effectively as possible before handing over to ARC 2! The box includes a measurement microphone, measurement software and a plug-in to provide the necessary monitoring correction. Based on patented Audyssey MultEQ XT32 technology, ARC is intended for use with nearfield monitoring systems, countering the way in which the room skews the frequency distribution and phase of reflected sound. A representative response is created from each cluster and a final response is then created by grouping them. The 64-bit native plug-in that performs the EQ and time-domain manipulation includes support for the AAX plug-in format as well as the usual Windows and Mac OS suspects, and is be authorised online. The user interface has been redesigned since the first incarnation of ARC, the resolution in the super-low 10-40 Hz region is said to be four times greater than that of the original for more precise correction. Recognising that different engineers have different ideas on how monitors should sound, there are now also user tweaks to adjust the final response to taste. A newly designed monitor control panel provides a level knob and an adjustable level dim switch, and like some larger hardware monitor controllers, makes it possible to monitor Stereo, Mono or Sides signals. Measure Seven Times, Cut Once The manual is very detailed and easy to follow, with most of the prompts also being repeated in the software. The included flat-response omni mic is first used to measure the response of the room in various positions while a test signal plays back over your monitors. This must be done with the mic aimed towards the ceiling, not towards the speakers. Prompts help you set up your audio interface, which must support 48kHz operation for this part of the procedure, and check your meters to ensure you have a suitable level of test signal hitting the mic. Any direct source monitoring must be turned off. Only once the monitor level and mic amp gain puts the signal level within the accepted range are you allowed to move on to the next stage, which starts with putting the mic where your head normally resides while mixing. Additional measurements should be taken around the listening position in symmetrical pairs — for example, slightly to each side of where you normally sit, and perhaps either side of a spot further back and further forward. If two of you generally sit behind the desk, you can widen the mic spacings to cover the area where you both sit. After seven measurements you get the option to finish, or you can carry on making additional measurements up to a maximum of 16. Multiple sets of measurements can be taken, named and stored. This is useful if you have more than one set of monitors, in which case you can assign them speaker icons with graphics to match most monitor types. You might also want to create setups for different listening positions in the room, or to have separate setups for a single person monitoring from dead centre and for two people sitting either side of centre. Choices, Choices With the hard work over, you can load the ARC 2 plug-in inside your DAW and get mixing. Both the measurement curve and the correction curve are visible in the plug-in window. The ARC 2 plug-in lets you select from multiple measured curves — if, for instance, you have several sets of monitors — and apply either a flat response or, as here, a Virtual Monitoring speaker emulation. A couple of well-known smaller studio speakers are simulated along with laptop speakers, small desktop speakers, car audio, iPod docks and so on. These are very useful in telling you how well your mix might hold up in imperfect listening environments. Clicking the Monitor tab brings up the monitor controller window, dominated by a large volume knob. A smaller knob sets the dim level, and there are separate buttons for Dim and Mute, plus a three-way rotary switch selecting the stereo mode. A MIDI learn mode is also available, allowing an external MIDI device to be used to control the monitoring functions. Four customised versions can be stored as presets. New in version 2 is the option to apply a user-defined EQ curve to the monitor correction. Since ARC 2 measures the output from your speakers, the compensation it applies is trying to correct shortcomings in both room and speakers. If you are using very small speakers, adding a vast amount of bass boost in the attempt to make them sound like bigger monitors would be unsuccessful and would also risk damaging the speakers. Where the room is acoustically very asymmetrical, the ARC processing can also compromise the stereo imaging, most noticeably on centre-panned sounds. It also flattened out a few mid-range wrinkes. The bass end seemed subtly deeper and more even with ARC switched on, and everything sounded natural, with good clarity and no evidence of algorithmic tampering, such as unnatural phasiness. If you take the worst-case scenario as a demonstration of why room problems are still going to cause some problems, consider a pair of studio monitors set up in a cathedral. No amount of ARC correction is going to reduce that 10-second reverb decay time, and though the decay time of modal frequencies in smaller rooms is of course very much shorter, the time smearing that they cause still exists. Indeed, in unfortunately shaped rooms with strong peaks in the bass response, something like ARC 2 might be the only practical solution. On the whole, then, ARC 2 does exactly as claimed, without fuss and at a sensible price. Just make sure you switch it off before bouncing your final mix! Alternatives There are other room-correction systems out there, some built into speakers such as those made by JBL, and others including DSP hardware processors.
Work on mixes faster because you're sure of what you're hearing. Where the room is acoustically very asymmetrical, the ARC processing can also compromise the stereo imaging, most noticeably on centre-panned sounds. Ps, if you decide to EQ ur system, make sure you use reference tracks of very familiar songs you know to get the highs as close to what you know they should be. With SOUNDFLOWER you can set your DAW to output all audio to it, open the SOUNDFLOWER routing pannel and simply select which physical output to route to. I would say a simple pair of headphones will help you eliminate all of those problems anyways. Например: Создаём на диске D папку ARC 2. A couple of well-known smaller studio speakers are simulated along with laptop speakers, small desktop speakers, car audio, iPod docks and so on.