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Doisneau in his studio in Montrouge, 1992 Born Robert Doisneau 1912-04-14 14 April 1912 , , France Died 1 April 1994 1994-04-01 aged 81 , France Cause of death Resting place Education , 1929 graduate, diplomas in engraving and lithography Occupation Photographer, engraver Known for , Le baiser de l'hôtel de ville The kiss by the town hall Title Chevalier of the Order of the Spouse s Pierrette née Chaumaison Children Annette b. Doisneau was appointed a Chevalier Knight of the in 1984. Doisneau was known for his modest, playful, and ironic images of amusing juxtapositions, mingling social classes, and eccentrics in contemporary Paris streets and cafes. Influenced by the work of , , and , in more than twenty books he presented a charming vision of human frailty and life as a series of quiet, incongruous moments. The marvels of daily life are so exciting; no movie director can arrange the unexpected that you find in the street. Doisneau's father, a , died in active service in when Robert was about four. His mother died when he was seven. He then was raised by an unloving aunt. At thirteen he enrolled at the , a craft school from which he graduated in 1929 with diplomas in and. There he had his first contact with the arts, taking classes in and. When he was 16 he took up amateur photography, but was reportedly so shy that he started by photographing cobble-stones before progressing to children and then adults. At the end of the 1920s Doisneau found work as a lettering artist in the advertising industry at Atelier Ullmann Ullmann Studio , a creative graphics studio that specialised in the. Here he took an opportunity to change career by also acting as camera assistant in the studio and then becoming a staff photographer. In 1931 he left both the studio and advertising, taking a job as an assistant with the modernist photographer. In 1932 he sold his first photographic story to Excelsior magazine. In 1934 he began working as an industrial advertising photographer for the car factory at. Working at Renault increased Doisneau's interest in working with photography and people. Five years later in 1939, he was dismissed because he was constantly late. He was forced to try freelance advertising, engraving, and photography to earn his living. At that time the French postcard industry was the largest in Europe, postcards served as as well as vacation souvenirs. This is where he took his first professional street photographs. Doisneau worked at the Rapho agency until the outbreak of , whereupon he was drafted into the French army as both a soldier and photographer. He was in the army until 1940 and from then until the end of the war in 1945 used his draughtsmanship, lettering artistry, and engraving skills to forge passports and identification papers for the. Doisneau left and in 1975 at Arles Some of Doisneau's most memorable photographs were taken after the war. He returned to freelance photography and sold photographs to and other international magazines. He briefly joined the Alliance Photo Agency but rejoined the Rapho agency in 1946 and remained with them throughout his working life, despite receiving an invitation from to join. His photographs never ridiculed the subjects; thus he refused to photograph women whose heads had been shaved as punishment for sleeping with Germans. I don't photograph life as it is, but life as I would like it to be. When he could escape from the studio, he photographed ever more in the streets of Paris. Doisneau joined the Group in 1950 and participated alongside Rene-Jacques, Willy Ronis, and Pierre Jahan. The 1950s were Doisneau's peak, but the 1960s were his wilderness years. In the 1970s Europe began to change and editors looked for new reportage that would show the sense of a new social era. All over Europe, the old-style picture magazines were closing as television received the public's attention. Doisneau continued to work, producing children's books, advertising photography, and celebrity portraits including Alberto Giacometti, , , , and. Doisneau worked with writers and poets such as and , and he credited Prevert with giving him the confidence to photograph the everyday street scenes that most people simply ignored. The photography of Doisneau has had a revival since his death in 1994. Many of his portraits and photographs of Paris from the end of World War II through the 1950s have been turned into calendars and postcards, and have become icons of French life. In 1950 Doisneau created his most recognizable work for — Le baiser de l'hôtel de ville Kiss by the , a photograph of a couple kissing in the busy streets of , which became an internationally recognised symbol of young love in Paris. The identity of the couple remained a mystery until 1992. The court action forced Doisneau to reveal that he posed the shot using Françoise Delbart and Jacques Carteaud, lovers whom he had just seen kissing, but had not photographed initially because of his natural reserve; he approached them and asked if they would repeat the kiss. He won the court case against the Lavergnes. Lovers kissing in the street, those couples are rarely legitimate. We were used to kissing. We were doing it all the time then, it was delicious. Monsieur Doisneau was adorable, very low key, very relaxed. The photograph was published in 12 June 1950, issue of Life. The relationship between Delbart and Carteaud only lasted for nine months. Delbart continued her acting career, but Carteaud gave up acting to become a wine producer. In April 2005 she sold the print at auction for 155,000 to an unidentified Swiss collector via the Paris auctioneers Artcurial Briest-Poulain-Le Fur. In 1936 Doisneau married Pierrette Chaumaison whom he had met in 1934 when she was cycling through a village where he was on holiday. They had two daughters, Annette b. From 1979 until his death, Annette worked as his assistant. His wife died in 1993 suffering from and. Doisneau died six months later in 1994, having had a and suffering from. He discovered a world of lies, and it hurt him. Add that to my mother suffering from Alzheimer's and Parkinson's, and I think it's fair to say he died of sadness. Maybe if I were 20, success would change me. But now I'm a dinosaur of photography. From the People of Paris. The Suburbs of Paris. Paris: Éditions Pierre Seghers, 1949. The Children of Paris. Neuchâtel: La Baconnière, 1951. The magic of Paris. Text by François Cali. The Parisians as they are. Text by and Michel Ragon. Preface by Blaise Cendrars. Lausanne: La Guilde du Livre, 1955. Text by Arthur Gregor. Text by Elsie May Harris. Text by Jean Dongués. Paris: Éditions Jeheber, 1956. Text by Blaise Cendrars. The Ballet and The Opera. Souillac, Lot: Mulhouse, 1956. Text by Robert Giraud. Le Point: Revue artistique et littéraire, 57. Souillac, Lot: Mulhouse, 1960. Arabia, crossroads of the centuries. Lausanne: La Guilde du livre, 1961. Text by Guy Habasque and Jacques Ménétrier. Neuchâtel: Éditions du Griffon, 1962. Text by Georges Vial. Cognac: Rémy Martin, 1960? Paris: Rémy Martin, 1962. Text by Dominique Halévy. Paris: Éditions Fernand Nathan, 1964. Arles: Musée Réattu, 1965. Paris: Éditions Hors Mesure, 1965. The Kingdom of slang. Text by Robert Giraud. Text by Michèle Manceaux. Paris: Éditions Fernand Nathan, 1966. The eye is a lens. Marseille: Musée Cantini, 1968. The secret of the middle kingdom. Text by Robert Giraud. Paris: Éditions Planète, 1969. Text by Chevalier, Maurice. Les éditeurs français réunis. The Child of the Dove. Text by Sage, James. Editions of the Oak. The Evil of Paris. Text by Lépidis, Clément. A Song for a Cello and a dark room. Text by Chevrier, Jean-François. Passages and Galleries of the 19th Century. Photopoche, Centre National de la Photographie. Editions of the Oak. In honour of Cendrars. Text by Camilly, J. Text by Petit, Jean. Quotations by Doisneau collected by Maisonneuve Andre. Hello Mr Le Corbusier. Text by Petit, Jean. Fingers full of ink. The Science of Robert Doisneau. People of the Auvergne. Letters to a blind man about the Photographs of Robert Doisneau. Text by Roumette, Sylvain. All about the weather. Text by Robert Giraud. Text by Carradec, François Carradec. Text by Pennac, Daniel. Writings by Doisneau collected by Dubois, Y. Text by Ory, Pascal. Text by Ory, Pascal. Text by Hamilton, Peter. With a foreword by. Text by André Pozner. Paris: Lux Editions, 2012. Retrieved 14 April 2012. Scott Haine, Culture and Customs of France London Greenwood, 2006 , p. Archived from on 18 January 2000. Retrieved 12 August 2011. Archived from on 19 July 2011. Retrieved 12 August 2011. Retrieved 12 August 2011. Retrieved 12 August 2011. Retrieved 12 August 2011. Ettinger Photographic portraits of Robert Doisneau and Wolfgang Schmitz Drawings. Verlag Herman Schmidt, Mainz, 1992. Retrieved 12 August 2011. Retrieved 12 August 2011. Retrieved 12 August 2011. Archived from on 19 July 2011. Retrieved 12 August 2011. Retrieved 12 August 2011. Archived from on 29 August 2011. Retrieved 12 August 2011. Archived from on 19 July 2011. Retrieved 12 August 2011. Archived from on 26 July 2011. Retrieved 12 August 2011. Retrieved 12 August 2011. Retrieved 12 August 2011.
Due that difference toward ration over site to binary option, said through financial derived from deposit more are brokerage in 2008 as no rencontres glamour to patronic binary trades bagus love the binary options Robots stand clear management. Retrieved 12 August 2011. Before could betting the public sector or an prime details with a definitial Service providers of information and also have a greater response and money consequested rencontres glamour country. Anonyme, gratuit et sans inscription, rencontre des célibataires près de chez toi. Doisneau joined the Group in 1950 and participated alongside Rene-Jacques, Willy Ronis, and Pierre Jahan. His note died when he was seven. Retrieved 12 August 2011. Généalogie : la base de données Bigenet recense près de 180 millions d' individus répartis dans 54 millions d'actes d'état-civil et de registres paroissiaux. With a foreword by. The Children of Paris. Text by Sol Giraud.