Seeing More: Kant's Theory of Imagination by Samantha Matherne on Audiobook New

28 November 2024

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Seeing More: Kant's Theory of Imagination
Samantha Matherne
Page: 448
Format: pdf, ePub, mobi, fb2
ISBN: 9780198898283
Publisher: Oxford University Press

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Samantha Matherne defends a systematic interpretation of the philosopher Immanuel Kant's theory of imagination. In contrast with more traditional theories of imagination, as a kind of fantasy that we exercise only in relation to objects that are not real or not present, Matherne argues that Kant theorizes imagination as something that we exercise just as much in relation to objects that are real and present. In short, she attributes to Kant a view of imagining as something that pervades our lives. In order to bring out this pervasiveness, Matherne offers an account of what kind of mental capacity Kant takes imagination to be in general. She then explores Kant's picture of how we exercise our imagination in perception, ordinary experience, the appreciation of beauty and sublimity, the production of art, the pursuit of happiness, and the pursuit of morality. However, she makes the case that Kant's analysis of this wide range of phenomena is underwritten by a unified theory of what imagination is, as a remarkably flexible cognitive capacity that we can exercise in constrained and creative, playful and serious ways.

Samantha Matherne: home
In my most recent book, Seeing More: Kant's Theory of Imagination, I explore imaginative we are by way of a systematic interpretation of Kant's theory.
KANT
Kant's theory of beauty can be seen as addressing a dilemma about the objectivity of which function as rules, so that imagination is, as Kant puts it, 
The Kantian Roots of Hegel's Theory of the Imagination
In Faith and Knowledge, Hegel identifies the productive imagination in the Transcendental Deduction as the locus of this unity, which Kant mislaid by “set[ting 
Kant and the Power of Imagination | Reviews
At the same time, they were also intrigued by the suggestion, sketched by Kant in the third Critique, that aesthetics might provide something 
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{5} The principle of the reproductive imagination is the "association of ideas"; more exactly, the association of objects. The connection between the associated 

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